We’re excited to introduce the newest artist to our Kira & Kira artist family, Alina Austin.

Alina Austin is an Australian abstract artist whose work captures the movement and emotion of the natural world. Based on Sydney’s Northern Beaches, Alina draws inspiration from the landscapes around her, blending earthy tones and textured layers to create pieces that feel both grounded and free. 

Join us as we sat down with Alina to learn about her journey as an artist, inspiration and where she's headed next. 



Tell us a little about Alina Austin - where are you from and where are you now?

I’m originally from Hervey Bay, QLD, but I’ve called the beautiful Northern Beaches, NSW home for over a decade now, and I honestly couldn’t imagine living anywhere else. The coastal lifestyle brings me so much joy, and being immersed in so much natural beauty inevitably finds its way into my art.

Where did you first discover your love for creating?

My love for creating began with my mum. Some of my earliest memories, around age five, are of us painting together at home. We would bring everyday things to life. The outdoor table and chairs, plant pots, even the fence. Suns, stars and moons became our signatures. We had a little gate in our backyard where we painted the names of everyone who meant something to us, it was our little community story in colour. From there, I just kept exploring anything that let me use my hands, sewing, floral arranging, even making furniture. Creating has always been my way of expressing myself.

What does a day in the life of Alina Austin look like?

Most mornings start outside in the garden with the sun on my skin, checking to see what’s grown overnight, new shoots on my herbs or veggies always excite me. After breakfast and a chai latte, I head into the studio. My days there are a mix of painting, emails, and all the behind-the-scenes work that comes with being an artist. In the afternoons, I love walking down by the beach to clear my mind before winding down at home. I feel most fulfilled when the day has been slow and intentional, and my creative cup is full to the brim.

Do you have any rituals before you start painting? 

I like to take a moment to ground myself. Often I’ll tidy my space, stretch or put on some chill music. I’ve learned that painting from a calm, intentional place always shows in the work.

We love the colours and textures we find in your works. Who, where and/or what do you turn to for inspiration?

Nature is always my greatest muse. The changing seasons, shifting landscapes, and different terrains all bring something unique to my work. But it’s not just what I see in nature, it’s how I feel in it. Lately, being outdoors has connected me to my feminine energy in a new way, which is starting to show up in my palette. Softer pinks, light earth tones and layers that feel more intuitive and fluid.

If you had to describe your art style in 3 words, what would they be?

Earthy, Wild, Soulful

Can you tell us a bit about the materials and tools you choose to make your creations?

I work mostly with acrylics and oil sticks, layering them to build texture and depth. I love using brushes, but I often end up blending with my hands - there’s something so raw about not using tools at all. It helps me stay connected to the work as it evolves.

What do you hope people feel when they experience your work?

I hope they feel grounded and calm, but also a little wild and free!

If you had to pick a favourite piece right now, which would it be and why? 

At the moment, I’d have to say Wildflowers No. 2 (left). It feels exactly as its name suggests, wild, but also harmonious. From a distance, it looks simple, but as you move closer, hidden layers and soft colour shifts start to reveal themselves. It’s a piece that feels calm and free at the same time, like standing in a field with the wind moving through it.

Wildflowers 2 (left) and Wildflowers 1 (right), available at Kira & Kira.

What are you currently watching, reading and/or listening to?

I’m currently re-reading Ikigai: The Japanese secret to a long and happy life. The book beautifully explores the Japanese concept of finding purpose, of balancing what you love, what you’re good at, what the world needs, and what you can be paid for. It really grounds me and reminds me why I paint, and what it means to live with intention and joy.

What’s next for you creatively or personally?

I don’t have a set plan right now - I’m following my intuition with my practice. I feel like I’m constantly changing and evolving through my work, which is one of the reasons I love painting. You don’t need to be fixed or stand still. I’m simply excited to see where my next series of works takes me and looking forward to sharing what grows from it.